“The best readers are the best writers.”
A friend spoke these words to me years ago, back when I was still a “closeted writer” who feared her lack of an English/writing degree would prevent her from being accepted in the official “writers club”. At the time, I didn’t really get the meaning of this quote. I mean, I definitely liked it: “The best readers are the best writers.” Well, that’s great, I thought, because I read. A lot. Like, a lot, a lot, a lot!). Yet, as the years have gone by, and my stack of read books has grown taller and taller, I’ve finally come to understand it.
Reading = Knowledge
Reading = Inspiration
Reading = Writing
It’s true. Well, at least for me. Reading books has taught me how to write (and, yeah, sometimes how not to write). There’s no doubt in my mind that books have strengthened my storytelling skills, expanded my creative horizons and given me a plethora of inspiration (oh yeah, I totally just used the word plethora). Now, I can’t tell you exactly how many books I’ve read (500? 1,000? 10,000?), but I can tell you which authors have impacted me the most.
Today, in honor of celebrating women in fiction (#ReadWomen2014), I’d like to pay tribute to the female author’s who’ve effected me the most. If it weren’t for their various inspirations, I wouldn’t be the writer I am today.
Patricia Beatty: The Dream Starter
“What a young person reads becomes part of his or her mental luggage forever! This is the learning time, short but vital to the future adult. That mental luggage deserves to be filled with the best stuff only, not pap. It may have a long, long way to go.” – Patricia Beatty
The day I picked up “Charlie Skedaddle” by Patricia Beatty was the day I became a book fanatic. It was also the day I realized I wanted to be an author when I grew up. After reading and absorbing Beatty’s novels (multiple times), I nervously began writing my own. Admittedly, most of this “writing” took place in my daydreamin’ head, safe and sound where nobody but me could experience them. However, a few made it into a notebook I kept hidden under my pillow, and one even made it onto a computer when I was in 6th grade (a 32-page story about a girl who traveled back in time to the Civil War era…Yeah, it was awesome.). Despite my terror to admit to the world I wanted to be a writer (that confession wouldn’t come for years, after I graduated college), I was able to admit my creative passion to myself. Even though I was only 10-years old, I knew I wanted to spend my life telling stories.
So, thank you, Patricia Beatty. If it weren’t for you, I wouldn’t have fallen in love with reading, and I wouldn’t be pursuing my dream of being a published author.
Marie Lu: The Style Guru
One of the up’s (and down’s) of reading a lot while you write is you accidentally mimic the author you’re currently reading. This happened to me while I was devouring Marie Lu’s “Legend”. Suddenly, my writing became clearer and more precise, my characters more likable and endearing, my plot faster and tighter. Ever since that happy accident, I’ve aspired to keep writing in a fashion similar to Lu’s. To use my words and sentence structures in a way that draws the reader in and keeps them there. To weave simple, yet complex story lines around my audience–around and around–until they’re trapped and can’t break free, even after they’ve finished the book.
So, thank you, Marie Lu. If it weren’t for you, I wouldn’t understand what good storytelling looks like and how to ensnare an audience.
“And if we get caught, I will claim I made you go. At gunpoint. I am American. People will assume I’m armed.” – Maureen Johnson, “The Name of the Star”
People tell me I’m a funny person. And I’ve been told I can be a funny writer, too. However, I don’t like to write comedy. I just don’t. My comfort zone tends to be in the suspense/horror/thriller categories. Yet, despite my preference to write about tenser subject matters, Maureen Johnson and Cassandra Clare have shown me even dark genres need to be lightened up every now and then. Adding dashes of cleverness and wit to a story can add surprising depth and meaning to a plot and its characters.
So, thank you, Maureen Johnson and Cassandra Clare. If it weren’t for you, I wouldn’t understand how humor can give any story layers and make it more memorable.
“Let me give you a piece of advice. The handsome young fellow who’s trying to rescue you from a hideous fate is never wrong. Not even if he says the sky is purple and made of hedgehogs.” -Cassandra Clare, “The Infernal Devices”.
Laini Taylor: Weirdness is Goodness
“I write books for youngish people, but they can also be read and enjoyed by oldish people, aka grown-ups. You know grown-ups? They tend to be a little bigger and hairier than kids. But not always.” -Laini Taylor
Okay, I admit it. I can be weird (hellllo, I’m a writer; we all have a weird screw inside of us, right?). Well, it wasn’t until I read Laini Taylor’s “Daughter of Smoke & Bone” that I was able to confidently infuse that weirdness into my writing. Taylor taught me that being quirky–saying things, thinking things and creating things that make the reader go, “Huh?”–can be a wonderful and powerful tool. For example, rather than having a protagonist with brown hair and blue eyes, why not have a protagonist with blue hair and brown eyes?
“Think outside the box!” Taylor’s writing shouts when you read it. “Like way, way outside the box. Do it, do it, do it!” So, I try. Every time I sit down at my desk, I think, “Be odd. Be different. It’s okay. Laini Taylor said so.”
So, thank you, Laini Taylor. If it weren’t for you, I wouldn’t have embraced my eccentric tendencies and breathed them into my stories.
Marissa Meyer: The Delightful Contortionist
“Even in the Future the Story Begins with Once Upon a Time.” -Marissa Meyer, “Cinder”
I’ve always prided myself on being a writer that likes to brainstorm concepts that are as original as possible. I’m always sniffing around the misty alleys of my mind, trying to find an idea that just might be “the next big thing” in the YA market. I’ve never been a fan of taking already written stories (like a fairy tale) and putting a unique spin on them. Then I began reading Marissa Meyer’s “Lunar Chronicles” and my entire outlook changed. Her crazy sci-fi contortion of “Cinderella” totally sold me on the unoriginal-original concept. Why not put a new twist on an old story? Why not embrace a solid foundation and build your own–original–world on top of it? Being a writer means being creative, and if I can create a spectacular story using a tried and true formula, you should. Why not?
So, thank you, Marissa Meyer. If it weren’t for you, I wouldn’t be willing to open my eyes and see there are stories all around me that can be bent, shaped and warped into something fresh and dazzling.
Rainbow Rowell: Character Jedi Master
“Eleanor was right. She never looked nice. She looked like art, and art wasn’t supposed to look nice; it was supposed to make you feel something.” -Rainbow Rowell, “Eleanor & Park”
One of my biggest weaknesses as a writer has always seemed to be my characters. And I think I’ve finally figured out why: Until 2013, I’d never read a Rainbow Rowell book. Guys, if you want a “how to” lesson on character building, this is your teacher. In her novels like “Attachments” and “Fangirl” Rowell has inspired me to dig deeper and reach higher when it comes to my characters. She’s shown me characters shouldn’t be 2-D individuals who entertain an audience. They should be 3-D humans who punch through a black and white page, straight into a reader’s heart. Characters should be likable, relatable, convincible. Characters should leave a dent even after the last page is turned.
So, thank you, Rainbow Rowell. If it weren’t for you, I wouldn’t even know how to begin writing better, deeper, truer characters.
Kathrynn Stockett: The Cheerleader
“If you ask my husband my best trait, he’ll smile and say, ‘She never gives up.’ But if you ask him my worst trait, he’ll get a funny tic in his cheek, narrow his eyes and hiss, ‘She. Never. Gives. Up.‘” -Kathryn Stockett
When people ask me what I do for a living, I joke and say, “I’m in the Industry of Rejection.” Sadly, it’s a true statement for most writers. I began sending query letters back in 2009 after I finished my first real manuscript. I was so excited, so certain I’d written a story that would get me an agent…Then I got my first rejection letter, and ooouuucchhh! That was followed by a second, and oooh, eeks! Then a third, a fourth, a tenth, a twentieth…That’s when I realized I’d chosen a career that wasn’t only hard, but could very well break my spirit.
“I loved your story, but…”. “Unfortunately…”. “Your story still needs work…”. “We regret to inform you..”. “Thank you for your submission. However…”. “Best of luck with this project and all your endeavors.”
Yeah, let’s face it, rejection hurts. Every. Time. And, I’ll be honest, after a particularly harsh round of “Thanks, but not thanks,” responses from agents, I’ve considered throwing in the towel (or maybe even smothering myself with a pillow). The biggest reason I haven’t though is because of Kathryn Stockett, author of the wildly popular novel, “The Help”.
Did you know Stockett’s bestseller was rejected 60 times before an agent finally gave her a chance? 60. Times! And, yet, after each stinging rejection, she didn’t give up. She went back, revised and then sent out more query letters. That’s how much she believed in her story. Despite the “Unfortunately”‘s and the “Best of luck”‘s, she refused to quit. Stockett’s never say die attitude has taught me that rejection isn’t the name of the game. Determination is. If you believe in your story, you should never give up on finding it a home. Keep writing, keep fighting! (Read about Stockett’s relentless journey here).
So, thank you Kathryn Stockett. If it weren’t for you, I may have given up on my dream a long time ago. And if it weren’t for you, I may not have the stamina to keep going now!
Thank you to all the women authors who’ve inspired me. This short list doesn’t even come close to naming all of you out there. But, trust me, if it weren’t for each and every one of you, I wouldn’t be the writer I am today.
Thank you. Thank you. Thank you.