The past few months, I’ve critiqued around 90 stories. During that time, I’ve noticed a common issue that has left me scratching my head all too often. It’s an issue every writer deals with, but not every writer knows to address until someone (a beta, an editor, a reader, etc.) points out to them.
“What’s the point of this story?”
“Your plot feels aimless.”
“Why is this happening?”
“Why is that happening?”
“Why? Why? WHY?”
As obvious as it is, stories need a purpose. Whether it’s something as grand as saving the world, or something subtler like self-discovery, every story needs something that drives it forward. A key motive that is the backbone of everything else. I like to call this the “Big Why.”
“Why am I writing this story?”
“Why does my protagonist exist?”
“Why will readers care?”
You should be asking yourself these vital questions while you write. No, you shouldn’t let them consume you to the point you can’t write anything at all. In fact, I’d recommend during your first draft (or two) you simply write and not worry about the Big Why. Let it develop as you go along. However, by the time you’re approaching your final draft(s), you should have a solid answer. If you can’t verbalize the main purpose of your story to a stranger (yes, I know we all hate the dreaded, “What’s your story about?” question) then you need to step back and think about it.
Once you’ve nailed down your Big Why, it’s time to support it. For example, you can say, “My story is about a girl with special powers who saves the world from an evil madman.” But, why? Why does this particular girl have to be the one who saves the world? Can’t someone else do it? And why does this evil madman want to take over the world? And why is he evil? And a madman?
As storytellers, we need to dig deeper with our motives. Saying, “I don’t know” or “Just because” won’t satisfy readers. Everything needs to have a reason, and those reasons need to be unique. Don’t say the girl has to save the world because she’s gifted (or, worse, because she’s “the chosen one”). Give her depth, obstacles, tragedy, hope–something that triggers her desire to rescue mankind. And don’t say the madman wants to conquer the world because he’s power hungry. Why does he want power? Why is he so hellbent on world domination? Again, “I don’t know” and “Just because” won’t cut it. Give readers more. Help them understand so they’re able to connect to your story.
Digging into the Big Why means digging into every aspect of your story. If you don’t have a viable explanation for each component, then you need to consider the reason for its existence.
Do you ever notice when a book gets adapted into a film, the film version sometimes (ahem, all the time) chops out secondary characters (and subplots)? Yeah, it annoys me too. But let’s think about why Hollywood does this: They have to condense a 400-page book into a two-hour film. That means they have to be picky and only use what matters. And what matters are the things that support the Big Why.
Although I hate seeing my favorite books butchered, I have to admit I like Hollywood’s general strategy from an editor’s standpoint. It’s brutal, but necessary. All of us (myself included) have to be willing to whittle our stories down to the essentials. Which means we have to examine all aspects, including our characters. As much as we want all of our imaginary friends and foes to stick around, sometimes–er, many times–it’s not in our story’s best interest. We have to put on our “Hollywood Caps” and start asking, “Why?”
“Why does this character exist?”
“Why do I need three sidekicks? Isn’t two plenty?”
“Why do I have two women with different names, but similar roles?”
Why, why, WHY? Just like The Big Why, we have to evaluate each character and figure out what the point of their existence is. If they’re not driving the plot forward, then give them a hug and part ways. Or take what you love about them and combine it with another (more valuable) character.
Just like with characters, not every plot line needs to stay in a story. In fact, the more plots you have, the foggier the Big Why can become. This isn’t to say multiple plots lines are bad. Not at all! Just look at “The Lord of the Rings,” “The Fall of Giants,” and “The Lunar Chronicles.” Each has multiple plots, but each of those plots matter. And, one way or another, they all contribute to the Big Why.
Unfortunately, many writers fall into the deep, dark Plot Pit. They keep inessential story lines that take readers away from the main focus and into a maze of, “Huh?” These include random tangents, excessive info dumps, and sentimental scenes nobody but the author understands. So, once again, as you’re editing, sit back and ask yourself why:
“Why does this plot exist?”
“Why is this scene relevant?”
“Why will this plot matter in the long run?”
Words, Words, Words
I know we’re getting down to the nitty-gritty, but we must if we want our stories (and their Big Whys) to stand out. We can create the best plots and the best characters, but readers won’t be able to appreciate them if they get lost in translation. So, everyone grab their beloved red pen and start asking:
“Why do I need this paragraph? This sentence? This word?”
“Why did I use dialogue here?”
“Why not break up this paragraph and add more white space?”
Obviously this isn’t a step to take during your first couple of drafts (if you do, you won’t get anything done). But, when you begin to edit and polish your manuscript, go at it. Attack every page with your red pen. Slash the fat, rearrange words, and tighten things up until every aspect of your story reads loud and clear.
The more you ask, “Why?” about your story, the clearer its purpose will become. Just remember there’s a time and place for everything, and that includes asking this important question. Don’t let it bog you down every step of the way. Ask it when the time is right…Just make sure to ask it at some point.
Don’t forget, my editing website is up and running! If you’re looking for someone to help with your story, check out Jen’s Edits and Critiques.
For more tips, visit my Jen’s Editing Tips page!
Photo credits: giphy
Every year, I debate whether or not I’m going to participate in NaNoWriMo. It always depends on what project I’m currently working on and what stage of that project I’m in.
This year, I’m not participating.
I really am sad, because I love NaNo! But I’m knee deep in the sixth (er, seventh?) draft of my novel at the moment, so it’s just not the right time to sit down at my computer and word vomit all over the place. However, if you’re looking to word vomit (er, whip out a draft of a new or old project), then NaNo’s perfect for you!
50,000 words in one month…Are you up for it?
Yes? Great! As difficult as it is, NaNoWriMo is an awesome experience. In fact, I think every writer should give it a shot at least once in their career.
To help those brave souls who’ve decided to take on the daunting task of writing a novel (well, a big chunk of a novel) in a month, check out my top ten tips for surviving NaNoWriMo.
Jen’s Top 10 NaNoWriMo Tips
1. Decide Why You’re Participating
“I dunno, I signed up just because.”
No, no, no! Don’t say this when people ask you why you’re doing NaNoWriMo. Give a valid, reliable, motivating reason to participate:
“I’ve been slacking lately and need a kick in the butt.”
“I have a great idea for a novel.”
“People say NaNo’s impossible. I’m gonna prove them wrong!”
Whatever your personal motive, make sure you have one. Don’t sign up for NaNoWriMo “just because.” If you do, you’ll likely fail. You’ll inevitably hit a rough patch and think, “Ugh, why am I even doing this? Forget it. I’m done.”
2. Just Write!
NaNoWriMo is a great way to start or finish the first draft of a novel, or to completely rewrite an old one. It’s not a great way to revise or edit a novel. And it’s definitely not a great way to write a masterpiece that’s ready to be published on December 1st. Nope, sorry!
So, stop stressing about making things perfect, resist the temptation to edit or revise along the way, and don’t get upset about a watered down plot or 2D characters.
Close your eyes, open your mind, and tap, tap, tap your fingers against your keyboard. And, remember, this is a rough draft. You won’t be showing it off to many (if any) people. So, let the words flow and don’t stop to question them. If you do, you’ll never make it to 50K by November 30th.
3. Don’t Skip Days
The first time I participated in NaNo, I missed the first three days because I was in a writing contest. And after that, I missed a few more days because, well, I missed them. Life happened. I didn’t feel like writing. I was tired. I had better things to do. Etc., etc.
Missing one day is okay. Not good, but not horrible. But after one day, the word count deficit starts to pile up–fast! Within one week of my first NaNo, I was behind schedule by 10,000 words, and the only way I was going to catch back up was to increase my daily word count–ack!
Do yourself a favor and spit out those words every day, even if you don’t feel like it.
4. Be Proactive
Don’t live on the edge if you don’t have to. Give yourself a word count cushion.
After I climbed out of the deep, dark word count abyss I’d fallen into, I decided to take the bull by the horns and get ahead of schedule. On days I had extra time, energy, and motivation, I blasted past my daily goal and kept writing. Why not? Who knew how I’d feel the next day, or if my life would blow up and I wouldn’t be able to sit down and write?
Because of this “get ahead” strategy, I was able to finish almost a week early.
5. Find an Idea You Love
When you hit those “ugh” moments, or you’re just flat out tired, it’ll be your passion and excitement for a story that gets you through. So, make sure choose one you love. Find a plot you want to explore and a cast of characters you want to know better. They should have the power to enthrall and entice you, and keep you motivated on a daily basis.
I promise, if you feel “meh” about your story before you start it, you’ll feel “meh” about it the whole time. And, sooner or later, you’ll throw in the towel.
6. Evolve With Your Idea
There is a very good chance the story you set out to write won’t be the story you end up writing. This is especially true for those of us who are “pantsters” rather than “plotters.” We assume we’re going to take a left at the fork, but end up taking a right instead. That’s okay.
Remember: JUST WRITE!
Don’t add constraints or limit yourself because the story “was supposed to go this way.” Go with the flow and see where things take you. After all, this isn’t a final draft. It’s an exploration of the story you will–hopefully–continue pursuing long after the November 30th deadline.
7. Embrace a Love-Hate Relationship
Even if you’re infatuated with your story, you’ll probably become infuriated with it at some point. You’ll have moments when you question your concept, or realize you despise a certain character, or fear you chose the wrong path back in chapter five.
It’s okay! First drafts aren’t meant to be perfect or 100% lovable. They’re ugly, troublesome, and, more often than not, a total nightmare.
So, accept the inevitable love-hate relationship you’ll have with your story, remind yourself you’ll be able to revise those despicable spots in the future, and keep chugging along.
8. Lean On Other Writers for Support
I often tell people, “Writers have their own language.” And, it’s true. We do. We naturally understand each other and are able to relate to each other’s woes. So, why not befriend a few? Trust me, you’ll need their cheers, pep talks, and internet hugs to survive the NaNoWriMo roller coaster.
If you aren’t sure where to find potential writing pals, here are a few suggestions:
- NaNoWriMo’s website. It allows you to network and make solid connections. If you’d like to add me as a buddy, my username is jenspenden.
- Twitter. I can’t tell you how many writers I’ve met there and have created genuine, supportive friendships with. Be sure to check out hashtags like #NaNoWriMo, #NaNoWriMo2016, #NaNoPrep. And, of course, feel free to follow me (@jenspenden). I’ll happily follow you in return!
- Writing Blogs. Follow them, read them, and leave genuine comments on posts. If you do, you’ll naturally connect with other writers.
- Writing Contests. This one might sound strange, but some of my best writing friends have come from participating in writing contests, especially those that allow you to interact with other competitors (ex: NYC Midnight).
Whatever your method, I highly recommend you befriend other writers. Life becomes so much better once you do.
9. Have Fun!
I mean it. Enjoy the experience. Yes, NaNo is stressful, insane, and a lot–a lot–of work. But nobody is forcing you to do it (well, I hope not). So, why not have fun with it?
Whenever I hit a low point during NaNo, I like to sit back in my chair and laugh at the absurdity of writing 50K words in one month. Who does that? Seriously? Or I like to take a deep breath and embrace my accomplishments. I figure every word I write deserves a round of applause, even if it wasn’t the best word in the world.
10. Worst Case Scenario
The worst thing that can happen? You don’t reach the 50K goal by November 30th.
Okay, maybe it is a big deal and you want to focus on that goal to keep you motivated. Great! However, in my opinion, the point of NaNoWriMo isn’t to barf out 50,000 words for the sake of barfing out 50,000 words. It’s to help writers focus and kick-start a steady writing routine that carries them past the November 30th deadline.
So, if you’re approaching the deadline, and you’re nowhere near the 50K word finish line, who cares? Keep going. Keep writing! The only true failure in NaNoWriMo is giving up completely.
Well, there you go! I hope you found at least one of my tips for NaNoWriMo useful. Good luck, everyone! And remember:
Photo Credits: Giphy
Up until the fall of 2013, I’d only ever worked on novel length projects. Then I decided to sign up for an NYC Midnight (NYCM) challenge and attempt to write something shorter. Much shorter. About ninety-nine thousand words shorter!
Since then, I’ve learned a lot about the art of writing short stories. And, with the rapid approach of the next NYC Midnight Short Story Challenge, I thought I’d share some of those lessons with you.
5 Tips For Writing Short Stories
1. Choose One Main Event
Don’t confuse your readers! Keep things simple and choose one main event to base your story on (ex: a killer virus, a confrontation between two friends, a blind date gone wrong). If you do that, you’ll have an easier time identifying your story’s motives, characters, and ultimate goal (aka, “the big why”).
You’ll also make it much easier for your readers to follow along. They won’t get confused as you jump from a grisly murder in an alleyway, to a deadly car chase, to an arrest at a gas station, to an epic prison break, to a fugitive on the run, to a hostage crisis at a bank, to a bomb explosion that kills everyone…
See? It’s too much for 2,500 words (or less). So, keep it simple.
2. The Fewer The Characters, The Better The Story
“I don’t know. What do you think, Maddie?” Sam asked.
Maddie shrugged. “No idea. Pete?”
“Why are you asking him?” yelled Sandra. “He doesn’t know anything!”
“Yes, he does.” Rachel rested her hand on Pete’s shoulder and shot Sue an uneasy glance.
Sue nodded. “We should listen to him. Or Alice. She’s done this before.”
“No way.” Timothy shook his head. “Pete and Alice are crazy. You’re all crazy!”
“Quiet! I can’t think straight with all this ruckus.” Charles picked up a knife and glared at everyone. “I think we should kill half the group so the rest of us don’t starve.”
Did you keep up? No? Well, trust me, if you do this in a short story, your readers probably won’t either. There aren’t enough words to gradually introduce a dozen characters and ensure the audience understands who they are, what their roles are, and why they’re important to the plot.
That’s why I suggest you limit yourself to four named characters. Four. Beyond that, readers lose track of who’s who.
3. Avoid Time/Scene Hopping
This tends to be a hot debate amongst writers. Some believe time/scene hopping works in a short story, while others (like me) believe it should be avoided. Why? Because, in my opinion, the more you move a short story around (especially through time), the more you dilute it. Characters lose depth, motives get fuzzy, and conflicts lose their edge.
Let’s look at an example. Below are two synopses based on my flash fiction horror, “Why?”.
Without time/scene hops: A little girl goes to the beach with her parents and brother. While there, a commercial airliner crashes and kills everyone except her.
With this version, I’m able to dig in and write a detailed story about a little girl experiencing a terrible tragedy. Sights, smells, sounds, emotions, conversations. From start to finish, I’m able to convey this horrific event to the reader. Nothing has to be skimmed over or left out.
With time/scene hops: A little girl goes to the beach with her parents and brother. While there, a commercial airliner crashes and kills everyone except her. Ten years later, she drops out of high school and runs away from her foster parents. Along the way, she meets a young man who convinces her to let go of her tragic past. Five years later, she marries him and they have a little girl. Ten years later, she agrees to visit a beach for the first time since she lost her family. Twenty years later, she smiles at her husband, children, and grandchildren, thankful she was able to rebuild the family she lost so long ago.
Rather than diving into the little girl’s head and experiencing the tragedy through her eyes, we skim over it and jump to the next phase in her life. Then the next, then the next…Although it can work if done right, this skim-jump rhythm doesn’t tend to satisfy readers. It’s too broad and jarring.
So, I say time hop if you must, but only do it once or twice. After that, your story starts to sound more like a summary of a much bigger project.
4. Single POV
When you write a story under 2,500 words, one of the best ways to cut down on confusion and strengthen your plot is to use a single POV. It doesn’t matter if you’re using first or third person; just decide who your protagonist is and then tell the story from their perspective. If they can’t see, feel, hear, or think it, then it doesn’t exist. Period.
Personally, I like to think of POV like a camera. I set it up in my protagonist’s head and then push record. That way while I’m writing, I can continually ask myself, “Is this getting recorded?” If not, then I have to either chop it out or find a way to convey it from my protagonist’s viewpoint.
5. Think Outside the Box
Yes, I know. Duh! But you’d be surprised by how many stories I’ve read that have used obvious premises. For example, during the NYCM Short Story Challenge 2014, my group was assigned these prompts: Suspense, Chef, Wedding. What’s the first idea that comes to mind?
Are you thinking?
Okay, was it a chef poisoning food at a wedding? Or, perhaps, a groom trying to off his bride? Well, guess what? Over half the people in my group wrote stories like that (and I almost did before deciding to take things in a different direction). So, before you start writing (especially if you’re in a competition like NYCM), ask yourself, “Will others think of this idea?” If so, you might want to discard it and keep brainstorming.
My personal policy? Throw out the first idea. If I thought of it, then someone else did, too.
Well, there you go! Those are my top five tips for writing short stories under 2,500 words. Of course, not everyone will agree with them, and I know many writers who’ve taken opposite approaches and succeeded. But, for me, these tips work. And I hope they work for you, too!
How about you? What are some of your tips for writing stories under 2,500 words? We all have our own methods of madness, so share, share, share!
Don’t forget, the NYC Midnight Short Story Challenge 2016 kicks off this weekend. You still have time sign up, so go check it out!
To end the year, I’ve decided to spotlight my top 10 favorite blog posts from 2015. Each of these made a special impact on me and readers, so I hope you enjoy them (again or for the first time). Today, I present to you my 9th favorite post from the past year:
Writing stories under 1,500 words is tough. Writing stories under 150 words is insane! That’s why I liked this post. It offered a tough, but terrific challenge to writers (including myself). It also offered a lot of fun.
So, check out the details below and, if you haven’t already, consider entering one of Ad Hoc Fiction’s free contests!
A few weeks ago, my online writer’s group introduced me to a weekly flash fiction contest hosted by Ad Hoc Fiction. Basically, writers are given a prompt word (ex: feather, bark, note) and must incorporate it into a 150-worded story.
Yep! That’s it. Just 150 words to address all the vital components of a story and satisfy readers.
Once the deadline passes, the submissions are posted on Ad Hoc’s website and the public votes for a winner. It’s free (yes, FREE), it’s fun, and it’s a great way to challenge yourself. So give it a shot! Whether you want to learn, warm up, or win, you’re sure to have a blast with Ad Hoc Fiction.
Below is a story I submitted a few weeks ago. The prompt word I had to include was “plaster.” Enjoy!
by Jenna Willett
When I was little, my mom would let me help her frost cakes. “Remember, Annie,” she’d say, “the first layer is the crumb layer. You frost, wait, frost again, and—voila! See?” She’d point at a finished cake. No crumbs, no blemishes. The decorating method worked beautifully.
It still does.
I hum to myself as I spread a second layer of white goo over the crumbly surface. I dip, swirl, smear, and wipe my metal spatula down and up, left to right. Over and over. I work carefully, but quickly. I have to. Even with the heater on, the house is cold and the cold makes things set faster.
I give one final swipe and stand back to study my handiwork.
The plastered wall looks great. With a layer of paint, it’ll look perfect.
Nobody will ever suspect I hid a dead body behind it.
To learn more about the contest and Ad Hoc Fiction, click here.
Top 10 2015 Posts
Photo credits: 1
It’s that time of the year again! Time to convince you to sign up for an NYC Midnight writing challenge.
I know many people don’t want to take the time or spend the money on entering writing contests. I was in the same boat up until I entered the NYC Midnight Flash Fiction Challenge 2013. Then, whoa! My entire attitude changed.
Before I began entering NYC Midnight (NYCM) writing challenges, I assumed my writing skills were at their best…Wrong! In just a handful of NYCM Flash Fiction and Short Story Challenges, my abilities grew exponentially. I’m actually embarrassed by what I considered to be my “best.” I won’t even let people look at my old work.
So, what has writing flash fiction and short stories taught me? Here are just a few things:
- How to write a complete story. To make a story truly shine, all facets of it must be fully developed and balanced equally. Plot, characters, scenery, etc. If you miss or skimp on one, it stands out to readers.
- Characters count. Characters carry a large portion of a story’s weight. Developing them so they’re as 3D and likable as possible is a must. Also, too many of them tend to be confusing and burdensome for a reader. So, you need to make sure each one counts.
- Keep it simple! Chop, chop, chop. Do you really need that character? Do you really need to go into that background information? With their limited word count, short stories force you to take a step back and consider what’s vital to a plot. If it’s not pushing it forward or making it deeper, chop it out!
- Take the road less traveled. Go outside the box. Be creative! Ask yourself, “Is this different? Will it make me stand out?” Example: In round one of the Short Story Challenge 2014, I received these prompts: Suspense, wedding, chef. My first impulse? Write a story about a bride and groom who are trying to off each other, and in the end the bride poisons the groom with the help of the chef. I immediately tossed it out and forced myself to dig deeper and think beyond the obvious. And I’m glad I did. Most of my competitors wrote stories about poisoned food and vindictive brides and grooms. Mine, “Chasing Monsters,” was nothing of the sort. And because of that, I landed myself a 2nd place finish.
Those are just a few things I’ve learned while participating in these challenges. To list all of them would take a decade.
I will, however, point out some specific benefits of participating in an NYCM writing challenge. The main one is their private forum. NYCM offers competitors a location to interact and share stories with each other. And I love it! The forum helps you:
- Overcome the fear of sharing your work. I’ve been sharing my stories for years and I still get butterflies whenever I let others read them. However, sharing our work is a must if we want to learn and take our writing to the next level. Plus, if you dream of being published like me, then sharing is a basic requirement. So, why not get used to it and learn how to manage those pesky butterflies?
- Discover what you do well. Not only does positive feedback give you a nice ego boost, but it also helps you understand your strengths. And understanding your strengths helps you understand who you are as a writer.
- Discover what you don’t do well. Yeah, I know. Who wants to hear what they’re bad at? Unfortunately, opening yourself up to constructive criticism is a necessary evil if you want to become the best writer you can be. Plus, if you’re planning to enter the Harsh Land of Publishing, then you will need to learn how to handle constructive criticism. And the forum is a great place for that. It’s safe, inviting, and supportive!
- Learn by critiquing other stories. You wouldn’t believe how much you can learn by reading and critiquing other people’s work. When you (tactfully) explain to someone what you liked or didn’t like about their story, you will naturally apply those observations to your own work.
- Meet other writers! While doing these challenges, I’ve gained a lot of amazing friends, writing pals, and trustworthy beta readers. So, believe me when I say, the forum is an excellent place to connect with other writers and find the moral and professional support you need to succeed.
One of my personal favorite things about the NYCM challenges is the discovery of new ideas. I have now participated in thirteen rounds, which means I’ve written thirteen stories I would never have written otherwise. And from those thirteen, I have bigger plans for at least eight of them. Three I’d like to polish up and send to publishers. One I’d like to adapt and expand into a screenplay. And, four I’d like to expand into novels. In fact, the manuscript I’m working on now is an expansion of my second round story from the last Short Story Challenge. So, if nothing else appeals to you, think of this as an amazing way to increase your idea inventory!
Anyway, with all of that said, registration has officially opened for the NYC Midnight Short Story Challenge 2016. I strongly–strongly–encourage you to consider entering it. Yes, it costs some money, and yes, the actual challenge is, well, a challenge. But I promise if you go into it with the right attitude and participate on the forum, every penny and stressful second will be worth it.
Of course, the NYCM writing challenges aren’t the only ones out there. If you aren’t ready to take the plunge, or aren’t in a position to spend the moola, then I still encourage you to look into a blog or website that hosts free weekly challenges. My favorite is Chuck Wendig’s, terribleminds.
You have until December 17th to take advantage of the early entry fee. There’s also a Twitter discount, so be sure to use that to lower the cost even more. Final deadline is January 21st.
Hope to see you all on the forum!
For those of you who’d like to understand the differences between NYCM’s Flash Fiction Challenge and Short Story Challenge, click here!
To learn more about the NYCM Short Story Challenge 2016, click here!
A couple of days ago, I officially “won” NaNoWriMo.
After I did a happy dance, I went online and skimmed through posts and Tweets about NaNoWriMo. As I did, a sense of unease overcame me. So many writers were acting discouraged and defeated because their word counts weren’t as high as others. It made me wonder:
Do early winners kill the motivation of other writers?
I decided to ask a handful of writing buddies this question. Some declared early winners inspire them because it proves NaNo can be done. But others admitted early winners make them feel overwhelmed, panicked, and even resentful.
Okay, okay, I’ll admit it. During the last NaNo I signed up for, early winners irritated me more than they inspired me. While they declared themselves finished, I continued digging myself out of the 10K word hole I’d fallen into…It wasn’t a fun or happy time.
So, today I thought I’d offer some encouragement to anyone out there who might be feeling overwhelmed, panicked, and/or resentful by early NaNo winners (or anyone with a higher word count). First off, let me assure you, writing 50K words in less than two weeks isn’t normal! It’s crazy.
Second, a variety of factors play into how fast people finish NaNo. To finish in ten days or less, I discovered you need to:
- Have ample time. Life is calm, work is slow, sleep is futile, etc. Writers who finish NaNo early tend to have plenty of time on their hands. Personally, my life was abnormally peaceful the past ten days. The only thing that prevented me from writing all day, every day was my job, and even that happened to be calm and stress-free.
- Be extremely focused. I made NaNoWriMo my main priority the past two weeks. I passed on invitations to events, turned down requests from family and friends, and resisted blogging and working on other non-essential projects. If it didn’t have to do with my manuscript, I ignored it. (Hermit, party of one!)
- Act like a competitive overachiever. Early NaNo winners can deny it all they want, but the majority of us are competitive overachievers. That doesn’t mean we’re trying to beat other writers. Not at all! It means we’re trying to beat ourselves. We have to match or do better than we did the day before. It’s a natural compulsion we can’t control.
- Experience creative energy overload. All writers experience creative highs and lows. Sometimes the words have to be ripped out of us, and sometimes they tumble out faster than we can type. During NaNo, some of us get lucky and experience a high. We get in an amazing groove and can’t stop writing even when our eyes hurt and our fingers cramp. It’s a blessing, and it’s a blessing that needs to be embraced before it disappears.
- Word vomit. A lot. I’m usually a sucker for revising as I write, but this time during NaNo, I refused–absolutely refused–to revise anything. I word vomited all over my pages and didn’t care about the giant mess I made. If I had a new idea or discovered a plot hole, I jotted it down in my notebook and kept going. I never went back to fix things. Never.
And if I didn’t like the direction I was taking my story, I added a few spaces between my paragraphs, wrote “SWITCHING GEARS” , and carried on as though I’d made the change. Nothing stopped me from writing, writing, writing.
Bottom line: It takes a magical combination of luck and hard work to finish NaNoWriMo early. Time, inspiration, and determination play key factors in propelling some to the 50K mark in the blink of an eye.
But, that’s them.
And you are you!
You can’t look at another writer’s stats and then question your own. You can’t! I learned that during my first NaNo when I kept comparing myself to those who finished early. Their amazing success didn’t inspire me. It hurt me and it made my journey harder.
So, if you’re like me and get dragged down rather than lifted up by early winners, here’s my advice:
Tell yourself everyone handles NaNoWriMo differently, and a million factors influence how fast people reach the finish line. Some writers are able to sprint, others must jog, and others are forced to walk. The truth is, the pace doesn’t matter. What matters is you achieve your goal. If that goal takes two weeks, one month, or an entire year, then so be it.
Just keep writing!
Take it one day at a time. Don’t think about how far you still have to go, or how much work you will need to do in the future. Think about today. Today is all that matters in the land of writing.
Keep up the good work, everyone. You can do this!