10 Tips For NaNoWriMo

Guess what starts today? That’s right. National Novel Writing Month (NaNoWriMo)! Although I’ll be too busy finalizing my manuscript  to participate this year, I’ll be cheering on everyone crazy enough to tackle this daunting challenge.

For those brave souls who’ve decided to take on the task of writing 50K words in one month, here are ten tips:

Jen’s Top 10 NaNoWriMo Tips

1. Decide Why You’re Participating

“I dunno, I signed up just because.”

No, no, no! Don’t say this when people ask you why you’re doing NaNoWriMo. Give a valid, reliable, motivating reason to participate:

“I’ve been slacking lately and need a kick in the butt.”

“I have a great idea for a novel.”

“People say NaNo’s impossible. I’m gonna prove them wrong!”

Whatever your personal motive, make sure you have one. Don’t sign up for NaNoWriMo “just because.” If you do, you’ll likely fail. You’ll inevitably hit a rough patch and think, “Ugh, why am I even doing this? Forget it. I’m done.” (If you need help figuring out your “why,” check out this post about Finding Your Reason).

2. Just Write! 

 NaNoWriMo is a great way to start or finish the first draft of a novel, or to completely rewrite an old one. It’s not a great way to revise or edit a novel. And it’s definitely not a great way to write a masterpiece that’s ready to be published on December 1st. Nope, sorry!

So, stop stressing about making things perfect, resist the temptation to edit or revise along the way, and don’t get upset about a watered down plot or 2D characters.

JUST WRITE!

Close your eyes, open your mind, and tap, tap, tap your fingers against your keyboard. And, remember, this is a rough draft. You won’t be showing it off to many (if any) people. So, let the words flow and don’t stop to question them. If you do, you’ll never make it to 50K by November 30th.

3. Don’t Skip Days

The first time I participated in NaNo, I missed the first three days because I was in a writing contest. And after that, I missed a few more days because, well, I missed them. Life happened. I didn’t feel like writing. I was tired. I had better things to do. Etc., etc.

Bad idea.

Missing one day is okay. Not good, but not horrible. But after one day, the word count deficit starts to pile up–fast! Within one week of my first NaNo, I was behind schedule by 10,000 words, and the only way I was going to catch back up was to increase my daily word count–ack!

Do yourself a favor and spit out those words every day, even if you don’t feel like it.

4. Be Proactive

Don’t live on the edge if you don’t have to. Give yourself a word count cushion.

After I climbed out of the deep, dark word count abyss I’d fallen into, I decided to take the bull by the horns and get ahead of schedule. On days I had extra time, energy, and motivation, I blasted past my daily goal and kept writing. Why not? Who knew how I’d feel the next day, or if my life would blow up and I wouldn’t be able to sit down and write?

Because of this “get ahead” strategy, I was able to finish almost a week early.

5. Find an Idea You Love

When you hit those “ugh” moments, or you’re just flat out tired, it’ll be your passion and excitement for a story that gets you through. So, make sure choose one you love. Find a plot you want to explore and a cast of characters you want to know better. They should have the power to enthrall and entice you, and keep you motivated on a daily basis.

I promise, if you feel “meh” about your story before you start it, you’ll feel “meh” about it the whole time. And, sooner or later, you’ll throw in the towel.

6. Evolve With Your Idea

There is a very good chance the story you set out to write won’t be the story you end up writing. This is especially true for those of us who are “pantsters” rather than “plotters.” We assume we’re going to take a left at the fork, but end up taking a right instead. That’s okay.

Remember: JUST WRITE!

Don’t add constraints or limit yourself because the story “was supposed to go this way.” Go with the flow and see where things take you. After all, this isn’t a final draft. It’s an exploration of the story you will–hopefully–continue pursuing long after the November 30th deadline.

7. Embrace a Love-Hate Relationship

 Even if you’re infatuated with your story, you’ll probably become infuriated with it at some point. You’ll have moments when you question your concept, or realize you despise a certain character, or fear you chose the wrong path back in chapter five.

It’s okay! First drafts aren’t meant to be 100% lovable. They’re ugly, troublesome, and, more often than not, a total nightmare.

So, accept the inevitable love-hate relationship you’ll have with your story, remind yourself you’ll be able to revise those despicable spots in the future, and keep chugging along.

8. Lean On Other Writers for Support

I often tell people, “Writers have their own language.” And, it’s true. We do. We naturally understand each other and are able to relate to each other’s woes. So, why not befriend a few? Trust me, you’ll need their cheers, pep talks, and internet hugs to survive the NaNoWriMo roller coaster.

If you aren’t sure where to find potential writing pals, here are a few suggestions:

  1. NaNoWriMo’s website. It allows you to network and make solid connections. If you’d like to add me as a buddy, my username is jenspenden.
  2. Twitter. I can’t tell you how many writers I’ve met there and have created genuine, supportive friendships with. Be sure to check out hashtags like #NaNoWriMo, #NaNoWriMo2017, #NaNoPrep. And, of course, feel free to follow me (@jenspenden). I’ll happily follow you in return!
  3. Writing Blogs. Follow them, read them, and leave genuine comments on posts. If you do, you’ll naturally connect with other writers.
  4. Writing Contests. This one might sound strange, but some of my best writing friends have come from participating in writing contests, especially those that allow you to interact with other competitors (ex: NYC Midnight).

Whatever your method, I highly recommend you befriend other writers. Life becomes so much better once you do.

9. Have Fun! 


I mean it. Enjoy the experience. Yes, NaNo is stressful, insane, and a lot–a lot–of work. But nobody is forcing you to do it (well, I hope not). So, why not have fun with it?

Whenever I hit a low point during NaNo, I like to sit back in my chair and laugh at the absurdity of writing 50K words in one month. Who does that? Seriously? Or I like to take a deep breath and embrace my accomplishments. I figure every word I write deserves a round of applause, even if it wasn’t the best word in the world.

10. Worst Case Scenario

The worst thing that can happen? You don’t reach the 50K goal by November 30th.

Big. Deal.

Okay, maybe it is a big deal and you want to focus on that goal to keep you motivated. Great! However, in my opinion, the point of NaNoWriMo isn’t to barf out 50,000 words for the sake of barfing out 50,000 words. It’s to help writers focus and kick-start a steady writing routine that carries them past the November 30th deadline.

So, if you’re approaching the deadline, and you’re nowhere near the 50K word finish line, who cares? Keep going. Keep writing! The only true failure in NaNoWriMo is giving up completely.

Well, there you go! I hope you found at least one of my tips for NaNoWriMo useful. Good luck, everyone! And remember:

JUST WRITE!

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When Your Novel Is Ready For Agents – 6 Tips

As many of you might’ve noticed, my blog has fallen by the wayside the past year. In my defense, there’s been a good reason for my absence: my novel. Last January, I made a New Year’s resolution to finish my manuscript and have it ready for agents by late 2017/early 2018. That meant I had to resist using precious time and mental energy for things like blogging, social media, writing contests, and other enjoyable but, unfortunately, non-novel work.

Despite missing out on all the fun, I’m pleased to say my method of madness has worked. By the end of the year, I’ll have a novel ready for agents!

As exciting as it is to take the next step in the publishing journey, it’s important to know when to take the next step. Many writers tend to rush through the process, while others hesitate and question if they’re really ready.

Here are six tips to help you decide if your novel is ready for agents:

1: You’ve written at least two complete drafts. 

Unless you’re a seasoned pro who knows how to pound out a perfect first draft, then you’ll need to write, revise, and edit at least two drafts before you deem it worthy of an agent’s eyes. Depending on your process, you’ll likely write many, many more. Personally, I’m a pantser and I’m approaching my 20th draft.

Because we all have different processes, there’s no exact number of drafts needed to deem a novel “done.” The best thing to do is to ask questions like these:

  • Is my plot fully developed? Are there any missing scenes? Do I have any scenes that can be chopped to tighten the story?
  • Are my characters believable? Likable? Do I have any unnecessary characters?
  • Do I have plenty of conflict?
  • Does my pacing work well?
  • Is my dialogue organic?
  • Have I proofread? Like, a million times?
  • Have I asked others to critique my work?
  • Does anything about the story bother me?

Whether it takes two or 20 drafts, we need to flesh out our stories and polish them up before we send them to agents.

2: You’ve recruited beta readers.

Some writers will write a chapter and share it with critique partners. Others will write 15 drafts before they feel comfortable sharing a single word with a single soul. There’s no right answer on how we share our work, just as long as we share it before sending it to literary agents. Otherwise, we’ll likely miss glaring plot holes, spelling and grammar blips, underdeveloped characters, and many other problems.

The real question is how many beta readers should we use? Well, once again, it’s an individual choice. There’s no magical number. However, there’s such a thing as too few and too many beta readers.

If we only use one beta reader, we’ll likely miss out on critical feedback. Why? Because every beta reader is different. Some are great at critiquing plots and characters. Some are better at correcting grammar. Some love to focus on pacing and pure entertainment. Some delight in dissecting every. Single. Word.

On the flip side, if we send our manuscript to 15+ beta readers (especially all at once), then we’ll likely regret our decision. Too much feedback, and we’re bound to feel overwhelmed and confused. In fact, we’ll likely experience a small meltdown and question everything we wrote.

Personally, I handled my beta readers like this:

Beta Draft 1: Four readers who were asked for big picture feedback. I simply wanted to know if the plot and characters worked. (And if not, why?)

Beta Draft 2: Five readers who were asked to point out any and all flaws. Plot, grammar, characters, pacing. ANYTHING!

Beta Draft 3: Five readers who were asked to pretend they found my novel in a bookstore and read it for fun. If it wasn’t fun, or if something stopped them dead cold, why?

The strategy has worked very well for me. But, again, every writer is different. Some might only need a couple of betas. Some might need more. The important thing is to recruit at least two, and ask them to point out the good, the bad, and the ugly.

3: You’ve reached a solid, marketable word count.

No matter what genre we write, we need to know word count expectations. If we send an agent a chick lit novel that’s 115K words, they’ll likely laugh and toss our query into the trash. However, if we send a historical fiction novel that’s 115K words, an agent will probably consider it. All genres have a general range agents expect our story to land in. Only a few get the “okay” for larger word counts (sci-fi, historical fiction, and fantasy).

When it comes to adult fiction, Writer’s Digest breaks it down like this:

80,000 – 89,999:        Totally cool
90,000 – 99,999:        Generally safe
70,000 – 79,999:         Might be too short; probably all right
100,000 – 109,999:     Might be too long; probably all right
Below 70,000:            Too short
110,000 or above        Too long

Before we submit our manuscript to agents, we need to research our genre. It’d be a crying shame to realize our MG novels are 40K words too short, or our thrillers are 20K words too long.

4: You start overthinking things.

Many writers are perfectionists. Some of us are so focused on making our stories so perfect that we fail to realize we’ve crossed through the Perfect Zone and entered the Overthinking Zone. We start chopping words unnecessarily, dramatically alter flowing sentences, and tweak characters to the point we ruin what made them so special in the first place.

A few ways to know we’ve reached the Overthinking Zone include:

  • Beta readers tell us, “Stop! You’re ready for the next step.” (Let me emphasize this “green light” needs to come from those who’ve read the manuscript. Don’t let friends, family, and other writing pals pressure you into skipping important steps. They don’t know where you’re at in the process. Your betas do.)
  • Edits become infinitesimal. (i.e. You change the word “stare” to “gape,” and then back to “stare.”)
  • We’ve proofread our story to death (and asked others to proofread it to death for us).

The truth is, many of us will never consider our stories perfect. Ever. Even if it lands on the New York Times Best Seller list, we’ll still find flaws. It’s just who we are. That’s why we need to recognize when it’s time to step back, close our eyes, and take a leap of faith.

5: You’ve prepped all of your submission materials.

If we choose the traditional path of publishing, then we need to be prepared to submit more than our manuscript. Most agents will require a query letter, but from there it varies. A query letter might be all an agent wants. Others might request a three-paragraph synopsis. Some might want a three-page synopsis. And then there’s the dreaded pitch to practice in case we need to present our idea verbally. For example, when I optioned my YA novel to a Hollywood producer, I had to pitch my story dozens of times to various executives (usually via an unexpected phone call (talk about nerve-racking!)).

If we are lucky enough to receive that spectacular, dream-worthy phone call from an agent, we also need to be ready to speak to that agent. In fact, we shouldn’t query an agent until we’ve done homework on them. Remember, these are the people who will determine if our books (and our careers) rise or fall. We need to know what type of agent they are. Are they hands-on? Distant? Better at negotiating deals than developing projects? Are they great at both? For me, I want an agent who cares. The last (and only) agent I had treated me like a chore. I’d get a call once every three to six months with an update on the status of my project. That was it. Granted, this was a Hollywood agent who had bigger fish to fry, but still. I learned my lesson: before committing to an agent, ask questions. We need to know who we’ll be partnering up with.

Bottom line, take the time to properly prepare your submission materials, and research agents. It’ll make life easier and happier if you do.

6: Your novel is presentable at a moment’s notice.

Let’s face it. Writing a quality book is hard, and it takes for-evvver! And it’s really, really tempting to skip to the end of the process and see if an agent would even read what we have.

Resist the urge!

One of the biggest no-no’s a writer can make is querying an agent before a novel is finished. Agents don’t want concepts, first chapters, or half finished manuscripts. They want the whole thing–and they want it on demand. So, before we send our query letters, we must have a polished, 100% COMPLETE manuscript.

“Eh, an agent is probably going to take at least a month to respond to my query, so I may as well send it and continue editing.” Nope, don’t do it! Just because we’re almost done with our book doesn’t mean we’re done. Besides, what happens when an agent asks for our book in less than a week? Maybe even sooner? I’ve had a full request within two days. It happens. Play it safe and polish up the story before hitting the submit button.

Some writers are impatient and want to speed through the writing process. Others drag their feet, despite their eagerness, and want everything perfect before they contact agents. We all need to know when we’re truly ready to take the next step. We can’t rush to the finish line, but we also can’t keep running lap after lap.

Resources: Writer’s DigestTwitter

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5 Steps to Take Before Writing a Novel

There are so many tips about how to write a novel. And there are even more tips on what to do with that novel once you’ve finished it. But, what about the things you should do before you start writing a novel?

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Okay, I can already hear some of you out there saying, “Sometimes you can’t think about what you’re doing. You just need to jump in and go. Write, write, write!” Yes, I agree. However, if you’re serious about doing something with your novel after you finish it, then there are some important steps to take before you go full throttle.

5 Steps to Take Before Writing A Novel

1: Fall in love

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It’s not always easy to know if you’re in love with a story until you begin developing it. However, you should be in love with the idea. Novels are no picnic. They take months (or, more often, years) to write, invite criticism, and get rejected–again and again. If you don’t love yours from the very beginning, then you’re probably not going to make it past the first obstacle (which could come as early as the first draft; heck, maybe even the first chapter).

So, before you begin writing a story, ask yourself, “Do I love this idea?” If the answer’s, “No, not really,” then you might want to consider another idea.

2: Sell it!

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You came up with an idea that you love. Excellent! But, wait. Don’t start writing yet. Just because you love an idea doesn’t mean the rest of the world will. To others, it might sound dull, or confusing, or similar to a story they’ve read before. So, swallow your nerves (and pride) and go talk to your most trusted–and honest–friends/family/writing pals. See what they think of the idea. Note their facial expressions, read their body language, and listen to their words. It’s hard for many of us to accept criticism, but if someone finds a flaw with our work, even in its earliest stages, we need to consider it.

Now, if your idea gets a lackluster reaction, don’t automatically throw it in the trash (if you do, you probably didn’t love it as much as you thought you did). Talk to your critics first. Ask them why they don’t like it. Is it because it sounds like another story they’ve read? Is it because they’re not a fan of horror (or whatever genre your story is)? Is it because they started daydreaming in the middle of your pitch? Remember, your friends and family are human. Therefore, they’re subjective.

My best advice: pitch your idea to at least three people (preferably those who will, without a doubt, give you their most honest opinion). Then gauge their reaction before you fully commit yourself to a project that could consume years of your life.

3: Research the market

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Say you have a dream about a world where love is outlawed. You wake up and think, “Hmm, that was weird, but it could be a cool book.” So, you mull it over and decide you love the idea. But, instead of outlawing love, you decide to make love a disease that needs to be cured, and your main character needs to prove to the world it isn’t. It’s a gift!

Ooh, that’s good. Really good.

So, you roll up your sleeves and begin writing your story. You mention the concept to a friend, but they’re not a big reader, so they think it’s great, too. Encouraged by their positive reaction, you write and write and write. Finally, you have a presentable draft to send to your beta readers. Three of the four tell you, “I’d be careful. This story is really similar to Lauren Oliver’s, ‘Delirium.'” You frown and Google “Delirium.” Your jaw drops. The plot is nearly identical to yours.

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Don’t let this scenario happen to you! Before you dive into an idea you love, find out if it’s been done before. Ask Google, talk to your bookworm friends, get input from your trustworthy writing pals, chat with a librarian, etc. If your idea is popular enough, someone is bound to give you a head’s up. And then you can decide to either alter it, drop it, or continue to write it knowing it’s already been done before.

4: Pinpoint your target audience

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You have a cute idea for a romance that you really like, so you pitch it to your friends. They think it’s cute too (yay!). You sit down and begin writing. You don’t really think about what type of romance you’re creating (you don’t really know there are different types of romances out there, each for a specific audience). So, you write in happy bliss until you finish and send the novel off to a handful of beta readers. Their feedback trickles in. Most are positive and think it just needs some tweaking. One, however, is confused. They can’t figure out if your novel fits in rom-com, erotica, or women’s fiction. It has a little of everything. But, you decide to ignore them because they’re the only one who complained, and polish the manuscript up. You send it off to agents, nervous and excited, confident you’ll have a request for your full manuscript within weeks.

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Crickets! Why? Because you had no defined audience. Instead of narrowing your focus, you tried to appeal to three different markets: Women who wanted a lighthearted, funny story. Women who wanted hot, steamy sex. And women who wanted an emotional, soul-searching journey. As tempting as it is to reach far and wide with your story, you have to zero in on a specific group. Not only will that help an agent sell it (or yourself if you’re self-publishing), but it’ll help you put together a stronger, more cohesive story.

Now, I understand figuring out your target audience might be difficult before you start writing a novel. However, you should have a decent idea of who you’re writing for before you type the first word. Children? Young adults? Women? Men? Both men and women? As you write subsequent drafts, narrow your focus to a specific group.

5: Set goals

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“I guess I’ll write today.”

“I’m not really sure what I want to do with this book.”

“I’ll just go with the flow and see where things lead.” 

If you enter a project feeling aimless, then chances are you’ll never finish it. Or you’ll stop and go, stop and go, and it’ll take years to reach the final chapter. Trust me, I’d know. That’s why I strongly urge you to create goals. They become the backbone of our success. Personally, I like to set three before I begin a novel.

  1. An ultimate goal. AKA, what to do with a story once it’s finished. Get published by one of the Big Five? Self-publish? Or write purely to write? There is no wrong answer.
  2. A deadline goal to help reach the finish line in a timely manner. Circle a date on your calendar and aim to finish your first draft by it. Or present a copy to your beta readers. Or send your first batch of query letters. Or hire an editor to evaluate the story. Whatever! The type of deadline is up to you. Just try and be as specific about it as possible.
  3. A daily goal to keep you on track to meet your deadline. This should be a quantifiable objective, like word count, timed hours, or completed chapters.

Sometimes when we sit down to write, all we want to do is write. No plan, no concept, no long-term commitment. Just write! And that’s great. However, once we make the decision to commit to a novel, finish it, and do something with it, we need to consider each of these steps. You might not come up with an exact answer for each, but you should at least consider each before embarking on your writing journey.

Good luck with your project!

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Jen’s Editing Tips – Why, Why, Why

The past few months, I’ve critiqued around 90 stories. During that time, I’ve noticed a common issue that has left me scratching my head all too often. It’s an issue every writer deals with, but not every writer knows to address until someone (a beta, an editor, a reader, etc.) points it out to them.

Jen's Editing Tips

“What’s the point of this story?”

“Your plot feels aimless.”

“Why is this happening?”

“Why is that happening?”

“Why? Why? WHY?”

As obvious as it is, stories need a purpose. Whether it’s something as grand as saving the world, or something subtler like self-discovery, every story needs something that drives it forward. A key motive that is the backbone of everything else. I like to call this the “Big Why.”

“Why am I writing this story?”

“Why does my protagonist exist?”

“Why will readers care?”

You should be asking yourself these vital questions while you write. No, you shouldn’t let them consume you to the point you can’t write anything at all. In fact, I’d recommend during your first draft (or two) you simply write and not worry about the Big Why. Let it develop as you go along. However, by the time you’re approaching your final draft(s), you should have a solid answer. If you can’t verbalize the main purpose of your story to a stranger (yes, I know we all hate the dreaded, “What’s your story about?” question) then you need to step back and think about it.

Once you’ve nailed down your Big Why, it’s time to support it. For example, you can say, “My story is about a girl with special powers who saves the world from an evil madman.” But, why? Why does this particular girl have to be the one who saves the world? Can’t someone else do it? And why does this evil madman want to take over the world? And why is he evil? And a madman?

As storytellers, we need to dig deeper with our motives. Saying, “I don’t know” or “Just because” won’t satisfy readers. Everything needs to have a reason, and those reasons need to be unique. Don’t say the girl has to save the world because she’s gifted (or, worse, because she’s “the chosen one”). Give her depth, obstacles, tragedy, hope–something that triggers her desire to rescue mankind. And don’t say the madman wants to conquer the world because he’s power hungry. Why does he want power? Why is he so hellbent on world domination? Again,  “I don’t know” and “Just because” won’t cut it. Give readers more. Help them understand so they’re able to connect to your story.

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Digging into the Big Why means digging into every aspect of your story. If you don’t have a viable explanation for each component, then you need to consider the reason for its existence.

Characters

Do you ever notice when a book gets adapted into a film, the film version sometimes (ahem, all the time) chops out secondary characters (and subplots)? Yeah, it annoys me too. But let’s think about why Hollywood does this: They have to condense a 400-page book into a two-hour film. That means they have to be picky and only use what matters. And what matters are the things that support the Big Why.

Although I hate seeing my favorite books butchered, I have to admit I like Hollywood’s general strategy from an editor’s standpoint. It’s brutal, but necessary. All of us (myself included) have to be willing to whittle our stories down to the essentials. Which means we have to examine all aspects, including our characters. As much as we want all of our imaginary friends and foes to stick around, sometimes–er, many times–it’s not in our story’s best interest. We have to put on our “Hollywood Caps” and start asking, “Why?”

“Why does this character exist?”

“Why do I need three sidekicks? Isn’t two plenty?”

“Why do I have two women with different names, but similar roles?”

Why, why, WHY? Just like The Big Why, we have to evaluate each character and figure out what the point of their existence is. If they’re not driving the plot forward, then give them a hug and part ways. Or take what you love about them and combine it with another (more valuable) character.

Plots

Just like with characters, not every plot line needs to stay in a story. In fact, the more plots you have, the foggier the Big Why can become. This isn’t to say multiple plots lines are bad. Not at all! Just look at “The Lord of the Rings,” “The Fall of Giants,” and “The Lunar Chronicles.” Each has multiple plots, but each of those plots matter. And, one way or another, they all contribute to the Big Why.

Unfortunately, many writers fall into the deep, dark Plot Pit. They keep inessential story lines that take readers away from the main focus and into a maze of, “Huh?” These include random tangents, excessive info dumps, and sentimental scenes nobody but the author understands. So, once again, as you’re editing, sit back and ask yourself why:

“Why does this plot exist?”

“Why is this scene relevant?”

“Why will this plot matter in the long run?”

Words, Words, Words

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I know we’re getting down to the nitty-gritty, but we must if we want our stories (and their Big Whys) to stand out. We can create the best plots and the best characters, but readers won’t be able to appreciate them if they get lost in translation. So, everyone grab their beloved red pen and start asking:

“Why do I need this paragraph? This sentence? This word?”

“Why did I use dialogue here?”

“Why not break up this paragraph and add more white space?”

Obviously this isn’t a step to take during your first couple of drafts (if you do, you won’t get anything done). But, when you begin to edit and polish your manuscript, go at it. Attack every page with your red pen. Slash the fat, rearrange words, and tighten things up until every aspect of your story reads loud and clear.

The more you ask, “Why?” about your story, the clearer its purpose will become. Just remember there’s a time and place for everything, and that includes asking this important question. Don’t let it bog you down every step of the way. Ask it when the time is right…Just make sure to ask it at some point.

Don’t forget, my editing website is up and running! If you’re looking for someone to help with your story, check out Jen’s Edits and Critiques.

For more tips, visit my Jen’s Editing Tips page!

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NaNoWriMo Tips – It Isn’t About Winning. It’s About Writing.

NaNoWriMo is just about over (t-minus two days). At this point every year, I hear many participants say, “Why bother finishing? I’m not going to win.”

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Here’s my answer to anyone contemplating this question: NaNoWriMo isn’t about winning. It’s about writing.

Okay, I can see all of you competitive souls out there rolling your eyes and muttering under your breaths. I know, I get it. I’m competitive too and I despise it when I fail.

giphy-1 But, let me clarify something: NaNo is a writing challenge, not a writing competition. There are no judges or tangible prizes (besides those offered via third parties). And there’s definitely no waiting on pins and needles after November 30th to see if your slap dash, half-finished manuscript beats hundreds of thousands of other slap dash, half-finished manuscripts. If you want that, then you’ll need to sign up for an actual competition.

Okay, okay. Now I can hear all of you Mr./Ms. I Always Win’s saying, “It’s not about winning a prize. It’s about winning.”

Yep, I totally get it. But…let’s face it. We can’t succeed at everything we try. Failure is part of life, and failing to write 50K words in one month isn’t the end of the world. Not at all! It’s really just the beginning.

Here’s the truth about NaNoWriMo: If you sit down and start writing on November first, you’ve won. If you keep writing beyond November 30th, you’re a star. If you finish your manuscript, you’re a champion.

The whole point of NaNo is to write.

Period.

So, whether you’re currently at 1K words, 50K words, or 100K words, go ahead and declare yourself a winner (yes, even you, Mr./Ms. I Always Win). Go ahead and give yourself a trophy if you keep writing on December 1st. And give yourself a crown if you don’t stop until you finish your novel.

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I hope you take my words to heart and persevere no matter where you are on the word count scale. And I really hope you don’t shove your manuscript into a drawer on December 1st and say, “Cool, I’m done.”

You’re not done.

Keep going.

Keep writing!

Congrats to everyone who participated in NaNoWriMo 2016. You’re all winners in my book!

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NaNoWriMo Tips – Tricks to Reach Your Goal

NaNoWriMo is rapidly coming to an end (where did November go?), and I’m sure by this point many of you are feeling the wear and tear.

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So, I thought I’d offer up some tips on how to push through the last chunk. Even if you’ve fallen behind or decided to completely start over, these tricks are sure to help you reach your goal (be that writing 50K words by November 30th, or finishing an entire novel by next November).

Writing Sprints

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This is, by far, my favorite strategy when it comes to getting work done. I set my watch for an allotted amount of time (one hour, 30 minutes, 15 minutes, etc.) and then GO! During that time, I’m not allowed to do anything but write. No internet, no phone, no eating, no nothing! The only things I’m allowed to do is write, write, write. Once I hit my goal, I can take a break. Check my emails, skim Facebook, get another cup of coffee…Then I set my watch again and GO!

I recommend this strategy to all writers at all stages of the writing process (not just during NaNoWriMo). Even if you’re editing, you can use this method to get a lot of work done. It’s all about forcing you to focus.

Hermit Day

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My second favorite strategy is setting aside one whole day a week to write. I lock the doors, close the blinds, and commit my entire day to being a hermit. Chores get skipped, the gym gets ignored, and invitations get turned down.  I don’t even bother brushing my hair or getting out of my pajamas. For 12-hours, I put all of my focus into my story.

Again, I recommend this strategy to all writers, whether they’re NaNo’ing or not. However, I understand not all writers have the luxury to shut out the rest of the world for an entire day every week (let’s face it, being single and childless definitely has its advantages). But even if you can’t block out an entire day, hopefully you can block out a chunk of time (even a couple of hours) each week to focus 100% on your project. No distractions, no interruptions. Just you and your novel.

Race another writer to the finish line

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Last year during NaNoWriMo, I–inadvertently–got into a competition with a writing buddy. It happened a couple of weeks into NaNo. One night, my friend casually asked me what my word count was. The next day I casually asked him. Then, before we knew it, we tumbled into a race to the finish line. Every day we–good-naturedly–flaunted our word counts to each other. Somedays he’d outdo me, somedays I’d outdo him…To tell you the truth, I can’t remember who reached 50K words first. But, it doesn’t matter. The point was, we pushed each other to not only reach our goals, but exceed them.

This is a great method to use if: 1) you have at least one competitive bone in your body, and 2) you have a trustworthy friend to “compete” against. Don’t team up with a writer who will rub your face in it or taunt you for “losing.” Find someone who will positively push you to the finish line (even if they beat you to it first).

Treat Yo Self!

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Reaching our goals is great. Reaching our goals and getting a “treat” for it is even greater! As you hit a milestone, pat yourself on the back and give yourself something for all of your hard work. It could be glass of wine, a nice dinner, a day off, a new book, whatever. The choice is yours. For me, it’s a chocolate chip cookie dough sundae.

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This is what awaits me at the end of my designated writing day. It’s right there in my freezer, taunting me. Telling me, “Hey, if you reach your goal, you can have me. If not, too bad. Better luck next time.” So, even when I’m not in the mood to write, I’ll push through just so I can get my hands on some ice cream.

This is another strategy I recommend to all writers. Why not reward yourself for your hard work? Just stay honest with yourself. Personally, I like to publicly announce my goals via social media. That way, I feel like others are keeping me accountable. If I announce I’m going to try and write for nine hours, then I have to try and write for nine hours. And if I hit nine hours, then I get my delicious treat!

Whether you’re trying to finish NaNoWriMo on time, or finish a novel at any time, you need to find ways to keep yourself on track. And I hope one of the tips above help you do that.

What about you? What are some of your favorite tricks to reach your goals?

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NaNoWriMo Tips – How To Manage Your Time

The countdown is officially on. NaNoWriMo is just days away!

Okay, perhaps the idea of writing 50,000 words in one month doesn’t freak you out. But, for many of us (including those who’ve “won” NaNo before) the endeavor is terrifying. That’s a lot–a lot–of work in a small–a small–amount of time. And, no matter how prepared you feel, I can promise you one thing:

You won’t succeed if you don’t manage your time.

It only takes a few missed days during NaNoWriMo to fall behind schedule. And it only takes a few more missed days to make catching up near impossible. So, managing your time and keeping your focus is essential. Today, I’d like to share some tips on how to do this.

Not only have these time management methods helped me win NaNoWriMo twice, but they’ve also helped me whip out revised manuscripts for agents within three weeks, and submit stories for contests with deadlines as short as 24-hours. I’ll admit, most of these strategies aren’t fun or pretty, but if you want to meet a tight deadline, then I’d recommend trying one or all of them.

Chop Out Distractions

Duh, right?

But, as obvious as this one is, it’s the most important. It’s also the hardest. Although many distractions are unavoidable (working a full-time job, taking care of your family, paying bills, etc.), there are many you can avoid: Watching Netflix, playing Candy Crush, going out with friends, Tweeting, etcetera, etcetera. You have to chop out these activities when you’re on a deadline. It stinks, but if want to reach the finish line, then you need to dedicate all of your free time to writing.

And on that note…

Accept Your Loner Status

We’ve all heard writing is a lonely job. Well, it is.

Even if you’re writing in a coffee shop, a library, or a park, you’re separated from the rest of the world. People can’t see what you see, or feel what you feel. It can be isolating and, well, a little depressing. Thankfully, on a regular writing schedule, you’re able to take frequent breaks to reconnect with humanity and remind yourself you live here, not in the fictitious other world you’ve created.

However, when you’re on a deadline, you don’t have the luxury of time to constantly re-root yourself in reality. You have to stay connected to that lonely other world for longer periods of time. You can’t hop on Facebook every thirty minutes, or text your bestie every hour. You have to live and breathe your story for as long as possible. Keep writing until you forget who and where you are. Keep seeing and feeling everything your characters see and feel. Keep going until you fear you might be losing your mind!

Then stop and take a break. Go eat dinner. Call a friend. IM a writing buddy. Reconnect with the real world. Do NOT lose your mind.

…And then get back to work.

Commit One FULL Day EACH Week to Writing

4a8b505cd84f1d0bcd7db17f17b2a584Nearly everyone in my life knows Saturday is my writing day. AKA, “Don’t Talk to Jenna Day.” From sun up to sun down, I write. It’s intense and it’s not always fun, but it’s vital to my production output.

And I bet it would be vital to yours as well.

By dedicating a full day to writing each week, you’ll not only give yourself a major word count boost, but you’ll give yourself a major motivation boost. It won’t matter how tired or busy you get during the rest of the week, you’ll want to keep your story moving along. You’ll want to finish that last chapter, or start the next one, or rewrite an old one to match the new one you wrote on your writing day, or…The list goes on and on.

There’s No Crying in Writing

Okay, okay. There’s lots of crying in writing. And trust me, when you’re writing under deadline, you’ll probably cry even more. But you know what? You gotta suck it up and push through the emotional breakdowns. Go grab a piece of chocolate, watch an episode of your favorite TV show, and listen to Journey’s, “Don’t Stop Believin’.” Then get back to work.

Go. Do. It. Now!

…That was my version of tough love. Did it help? No? Whatever. Go eat some more chocolate. GO!

Don’t Be Miss Congeniality

Confession: I have a horrible time saying no to people. Horrible! Whether it’s babysitting for a friend, making a hundred cupcakes for a birthday party, or editing someone else’s story, I always say yes.

However, when I’m on a deadline, I have to stifle my Miss Congeniality urge and say no. No, no, NO!

And if you’re a “yes” person like me, then you need to do the same thing. It’s terrible, but you have to be selfish when you’re trying to reach a deadline. You have to put yourself first. You have to!

To help ease your guilt, give your acquaintances, friends, and family members a heads up. Tell them you’re going to be crazy busy for the next month and you can’t help them a ton. If they know and respect you, they’ll leave you alone.

Even When You’re Not Chugging, Keep Chugging

Okay, fine. Maybe you can’t be a complete self-serving hermit during NaNoWriMo. You’ve got work, the gym, the kids, hundreds of errands, special events…

It’s okay!

If you can’t physically sit down to write, you can still keep chugging along. For example: During my hour-long spin class at the gym, I’ll close my eyes and think about my story. I’ll strategize my next scene, or create a new character, or discover a plot hole. That way when I’m finally able to sit down and write, I’m ready to go.

Of course, carrying a small notepad with you is a smart idea. That way if you come up with an idea, you can jot it down so you won’t forget it. And if you don’t have a notebook, use your phone. Most have apps now that allow you to take notes.

Just Keep Swimming

Just keep swimming. Just keep working. Just keep writing!

Swim, swim, swim. Work, work, work. Write, write, write!

Don’t. Give. Up!

Writing on a deadline is like running a marathon. It’s exhausting, difficult, and seemingly endless. But it will come to an end. Trust me. All you have to do is remember to keep your eyes on the finish line, breathe, and focus. If you do, you’ll make it. And you’ll make it on time!

So, there you go! Those are my tips for managing your time during NaNoWriMo (or with whatever project you might be working on with a tight deadline). I hope one or all of them help you meet your goals.

Good luck, everyone! If you’d like to add me as a buddy on the NaNoWriMo site, my username is jenspenden.

What about you? What are some of your time management strategies?

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